Incantare’s concerts highlight the musical and cultural connections of under-explored musicians from the Renaissance and early Baroque periods, especially music by composers, singers, and instrumentalists from marginalized communities in early modern Europe. Founded by Alice Culin-Ellison, Liza Malamut, Ben David Aronson, and Garrett Lahr, the ensemble strives to discover, research, transcribe, teach, and perform works that may not have been heard since their conception. In 2019, we added Cynthia Keiko Black and Naomi Gregory to our core membership.

Incantare debuted to enthusiastic crowds at the 2018 Twin Cities Early Music Festival, where they were chosen as one of “the week’s five best Twin Cities classical concerts” by the Star Tribune. Since then, they have performed programs throughout the United States, with appearances at the Pittsburgh Renaissance and Baroque series in collaboration with Chatham Baroque, Hobart & William Smith Colleges, LeMoyne College, The Perkins Mansion in Rochester, and the International Trombone Festival, where they were praised for their “beautiful and cohesive sound.” Incantare’s EXILE program, currently touring in Minnesota, New Jersey, Wisconsin, and New York, was recognized as an “innovative project” by the Paul R. Judy Center for Innovation and Research. EMAg, the Magazine of Early Music America, reported that audiences have left the ensemble’s concerts “with a sense of awe.”

The consort of sackbuts and violins has a long history and a unique sound that incorporates the vocal qualities of both instruments while retaining each of their distinct timbres, making it the perfect medium for performing the beautiful works from this rich musical time period. The name “Incantare” is a play on words that links directly to the group’s mission as early instrumentalists. “Incantare” means “to enchant” in Italian, and “to sing” in Latin. Incantare seeks to enchant, charm, hypnotize, and spellbind by singing through their instruments.